Roopa Ganguly

 ( 1966 Births ) 

Impressed with her potential, Soumitra Chatterjee cast her as Mrinal alongside his daughter Poulami Basu playing the role of Bindu in his directorial venture Stree Ki Patra (1986; ), based on Streer Patra a Bengali short story written by Tagore. The telefilm manifests the struggle for freedom and self-identity of a woman in a patriarchal society. Ganguly plays the protagonist who has to yield to the atrocious hostility from her in-laws when she intends to foster Bindu, a helpless girl portrayed by Chatterjee's daughter Poulami. Her performance won critical favour. The telefilm highlights the societal norms and expectations that restrict women's lives. The protagonist's own desires, aspirations, and individuality are suppressed, and she is forced to conform to the roles assigned to her. The story also explores the theme of female solidarity, as the protagonist fights for Bindu's rights and tries to protect her from abuse. It critiques the patriarchal society's treatment of women, particularly in the context of marriage and family. It portrays the ways in which women are objectified, Commodification, and marginalised, and how they are forced to conform to societal norms that prioritise men's interests. The protagonist's decision to leave her husband's house and start a new life is a testament to her growing awareness of her own identity and her desire for autonomy.

Her next foray was Manjulika (1986) directed by Bijoy Chatterjee. She plays the titular role of a teenage widow who is devastated to learn that her father intends to remarry after her mother's death. Like her previous telefilms, this also portrays the ways in which women are commodified, and marginalised, and how they are forced to conform to societal norms that prioritise men's interests. Based on Tagore's Bengali poem Nishkriti (), the plot revolves around Manjulika and her ailing mother whose plea to get Manjulika remarried to Pulin is disapproved by her father. She ultimately elopes with Pulin when her father himself remarries eleven months after her mother's death.

Ganguly was enjoined by Ramaprasad Banik to appear for a look test for the female lead in his Bengali TV series Muktabandha (1986). After she appeared for the look test, Samaresh Majumdar, the screenplay writer of the TV series considered her to be imperfect for the role. The role being that of a call girl, Majumdar wanted an attractive actress to portray it. He suggested Banik to find another actress other than Ganguly whom he considered to be dowdy. Majumdar was requested to meet Ganguly once again. This time Ganguly appeared charming and attractive, and was finalised to portray the female lead. Her performance in the series was appreciated.

Ganguly successfully auditioned for the role of Durga in P. Kumar Vasudev's Hindi TV series Ganadevta (1987–88). It was based on Tarasankar Bandyopadhyay's much acclaimed 1942 Bengali novel Ganadevata. Set against the backdrop of British Raj in the twentieth century, the series documents Dalit Rebellion against the exploitation of the rich upper caste in a rural India. She played Durga, a rural prostitute who is of service to several Indian nationalists who intend to eradicate subaltern plight. The role extensively propelled her career. A number of directors including Mrinal Sen was impressed with her performance.

She accepted a role opposite Chiranjeet Chakraborty in Prabhat Roy's Bengali film Prateek (1988). Prabhat Roy's next venture was Agnitrishna (1989) that once again saw Chiranjeet Chakraborty essaying the male protagonist Abhijit suffering from pyrophobia. Roy cast Ganguly as the female lead opposite Chakraborty. She had to enact the role of the doctor who treats the protagonist. The film failed to win critical favour while Ganguly's performance was critically acclaimed. She also accepted another role opposite Chakraborty in Biresh Chatterjee's Bengali film Tufan (1989). The film was a major financial success. She featured in Mrinal Sen's much acclaimed Hindi Film Ek Din Achanak (1989) and Basu Chatterjee's Hindi film Kamla Ki Maut (1989).

Reportedly B.R. Chopra was quite impressed with Ganguly's performance in the TV series Gandevta. After Juhi Chawla declined the role of Draupadi for Mahabharat, Chopra decided to get her appear for a screen test for the role. In 1988, she was summoned by director Biresh Chatterjee to NT1 Studio where the director informed her that Chopra wanted her to appear for the look test. Ramya Krishnan was also another strong candidate to portray the role. Ganguly was finally chosen since her Hindi diction was better. In 1989, the 34th episode of the series introduced her. She was hailed for her performance in the Sabha Parva sequence. The sequence was aired in the 46th, 47th and 48th episodes of the series. The sequence narrates Draupadi being dragged to the court by Dushasana. She then asks Bhishma, a veteran of the Kuru Kingdom clan whether Yudhishthira has the right to put her in stake. The sequence demanded her to weep while enacting the part. She was so engrossed that she wept on even after her shot was over. She later claimed that her performance in the TV series was quite mediocre.

Ganguly received wide attention from Bollywood media and producers for her role in Chopra's Mahabharat, yet she never had a significant elevation in her Bollywood career. She said that things became very hard since she was an outsider and had to face the problem of casting couch. She featured as Rama in Tariq Shah's Hindi film Baahar Aane Tak (1990). The film did not meet financial success. Onwards, she appeared in films such as K. Bapayya's Pyar Ka Devta (1991), Raj Sippy's Saugandh (1991) and Rajkumar Kohli's Virodhi (1992) to name a few. In 1991, she acted in the blockbuster Kannada film Police Matthu Dada, directed by Tulsi Ramsay and Shyam Ramsay. In the same year, she appeared in its Hindi remake titled Inspector Dhanush. The film flopped at the box office. In 1992, she acted in A. V. Seshagiri Rao's Telugu film Inspector Bhavani, where she played the character of a sincere police officer whose object is to bring an end to those who assassinated her fiancée. In the same year, she acted in Sukanta Roy's Bengali film Pitrireen, where she played the character of Sathi, a photographer who inquires about her father's assassin.

In 1992, she appeared in Goutam Ghose's award-winning Bengali film Padma Nadir Majhi, where she played the character of Kapila, a woman from the fishermen community who falls for her sister's husband and finally leaves her family to settle with him on Moynadeep island. Her performance in this film was appreciated by the critics and media personalities. Utpal Dutt, who was also a part of this venture, was recorded to comment on her performance: "Roopa has really lived the life of Kapila with those flawless body languages of a woman from the fisherman community."

In 1995, She accepted a role in Ravi Chopra's Kanoon on the latter's insistence. In 1995, she appeared in Amal Roy Ghatak's Bengali film Ujan, which won her the BFJA Award for Best Supporting Actress in 1996. In 1996, she appeared in Aparna Sen's award-winning Bengali film Yugant, where she played the character of an obsessed dancer. Her performance in the film won favourable reviews. Apart from acting in feature films, she went on appearing in numerous telefilms and television series, both in Bengali and Hindi, including Sukanya (1998).

In 2000, she appeared in Rituparno Ghosh's award-winning Bengali film Bariwali, where she played the character of Sudeshna Mitra, an actress playing the character of Binodini, in a film Chokher Bali directed, alongside the male protagonist. In 2001, she appeared in a cameo role in Goutam Ghose's award-winning Bengali film Dekha. Though she made a cameo appearance in it, she garnered huge mass attention as the film was widely advertised on her enthralling dialogue; "Sagar dekhben naa, shudhu amake dekhun." In the film, she rendered her character with a fine, seductive approach, especially in the Eki Labonyo Purna Prate song sequence, where the character played by Soumitra Chatterjee recalls an earlier moment of Ganguly gazing back at him. In 2003, she appeared in Gautam Ghose's Bengali film Abar Aranye, where she played the character of Shimul, a buoyant woman who is grief-stricken at the deepest core of her heart for the probable loss of her husband. She appeared in a cameo role in Bow Barracks Forever (2004) by Anjan Dutt.

In 2005, she appeared in Rituparno Ghosh's award-winning Bengali film Antarmahal, where she played the character of Mahamaya, a docile wife to an arrogant zamindar. Her performance in the film was hugely appreciated by film critics. Indian film critic Piyush Roy wrote on her performance in the film, "Ganguly rekindles memories of her fiery act of Draupadi in B R Chopra's Mahabharat through her blow hot, blow cold performance."

She herself considered this role as a big challenge as it was inherently contrary to her personality. The film won her the BFJA Award for Best Supporting Actress in 2006. Reportedly Mira Nair was all praise for Ganguly's performance in the film after the former had attended a private screening of the film in USA. Nair proposed her to play the role of Asima's mother in The Namesake. Ganguly eschewed the offer since the role was not meaty enough. She then, featured in Sekhar Das's award-winning Bengali film Krantikaal (2005), where she played the character of Subarna, who befriends a terrorist who broke into her house. She appeared in Raj Mukherjee's Bengali film Nagordola (2005), where she portrayed the character of an arrogant and rude woman who gets diagnosed as having throat cancer and realises that life is not like it has conventionally been and gives her full consent to her own unmarried daughter to give birth of her baby and to bring it up. The film was a major hit at the box office for its contemporary social issue. Her performance in the film earn her an Anandalok Award nomination in the Best Actress in the Leading Role category in 2006. She acted in the much acclaimed Bengali film Ek Mutho Chabi (2005), produced by herself, where she played the character of an established actress who has a car accident, consequently losing her career. In December 2005, Ganguly was named by The Telegraph in the list of Five Crowning Queens of 2005 alongside Rani Mukerji, Preity Zinta, Konkona Sen Sharma and Vidya Balan.

In 2006, she accepted a role of a writer in Karam Apnaa Apnaa produced by Balaji Telefilms and shifted her base to Mumbai. She then appeared in Hindi TV series such as Love Story and Agle Janam Mohe Bitiya Hi Kijo (2009).

In 2009, she appeared in Sekhar Das's Bengali film Kaaler Rakhal. She appeared in Anjan Dutt's film Chowrasta the Crossroads of love (2009).

In 2011, she won the National Film Award for Best Female Playback Singer for rendering her voice in Aditi Roy's Bengali film Abosheshey (2012) TALKING POINT with Roopa Ganguly The Indian Express, 10 March 2007! where she also acted. In the film, she portrayed the character of Suchismita. She appeared in Birsa Dasgupta's Jaani Dyakha Hawbe (2011), which after much commercial expectation proved to be a failure at the box office.

She acted in Anurag Basu's blockbuster film Barfi! (2012). She acted in Anjan Dutt's Dutta Vs Dutta, (2012) where she played the character of "Runu mashi", who lives her life on her own terms and inspires the protagonist to live the life he desires. She featured in Joydeep Ghosh's Mayabazar (2012). The film has three individual stories. She played the protagonist in the story Smriti which is based on Dehantar by Sharadindu Bandopadhyay. She played Kuhu, a widow who sees her deceased husband in every single man she dates. She appeared in Riingo's Bengali film Na Hannyate (2012), where she played the character of Jui, who is caught in a situation where she could save only one of her kids and leave the other to die. In 2013, she appeared in Utsav Mukherjee's hilarious social-satirical film Half Serious. She played the role of goddess Durga in the film. She appeared in Rana Basu's Bengali film Namte Namte (2013). She also appeared in Shekhar Das's Bengali film Nayanchampar Dinratri (2013). In 2014, she appeared alongside Soumitra Chatterjee in Souvik Mitra's Bengali film Punascha, where she played the muse of an award-winning author, played by Chatterjee. The film earned her rave reviews including the statement made by The Times of India that the film belongs to her only. In 2015, she acted in Debesh Chottopadhyay's Bengali film Natoker Moto and Aparna Sen's Bengali film Arshinagar. She was offered the role of Jiji in Kushan Nandy's Babumoshai Bandookbaaz (2017), but was later replaced by Divya Dutta.

In 2023, Ganguly portrayed Bithika Mitra in Meyebela, a Bengali TV series produced by Surinder Films. It revolves around a joint family of Hazra Ln, South Kolkata. She abruptly left the series after a few months citing that the show contained "regressive content".

In West Bengal Assembly elections 2016, Ganguly lost from Howrah North to Trinamool Congress counterpart and cricketer Laxmi Ratan Shukla.

In May 2016, she was attacked allegedly by Trinamool Congress workers when she was returning from Kakdwip in South 24 Parganas where she had gone to meet victims of political violence. She sustained head injuries and had to be admitted to hospital.

She was nominated to the Rajya Sabha in October 2016 in place of cricketer Navjot Singh Sidhu, who resigned earlier.

• Social and cultural anthropologist Purnima Mankekar's ethnography of television-viewing in India, Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood, and Nation in Postcolonial India, published by Duke University Press in 1999, features a still shot of Ganguly as Draupadi on its cover.